Paris has always been more than a city. It is a stage, a character, a muse. In Mise-en-Scène: Paris in Song, we explore the French chanson as both an art form and a way of seeing life — the staging of love, heartbreak, and joy against the backdrop of Parisian cafés, boulevards, and dance halls. Our set list is diverse, from the art salons of Les Six ("Voyage à Paris"), the raw realism of early cabaret songs ("Les Filles de la nuit", "L’Accordéoniste"), and the international anthems that carried French song across the world — Édith Piaf’s "La Vie en rose", Josephine Baker’s "J’ai deux amours", Charles Trenet’s "Ménilmontant". We visit Jacques Brel’s turbulent landscape ("Vesoul", "Au suivant", "La Valse à mille temps"), and Barbara’s haunting "Dis, quand reviendras-tu?". Each song is its own mise-en-scène: a small stage where voice, poetry, and melody dramatize the passions and contradictions of French life. Together, they create a panorama of the city and its spirit — Paris as seen through the lens of its songs.
— Siri Vik, artistic director
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| | Madiana (1933) Maïotte Almaby (w/m) |
| | La Foule (1957) Michel Rivgauche (w) Ángel Cabral (m) |
| | Padam Padam (1953) Henri Contet (w) Norbert Glanzberg (m) |
| | La Mer (1945) Charles Trénet (w) Charles Trénet, Léo Chauliac (m) |
| | Vesoul (1968) Jacques Brel (w/m) |
| | Au suivant (1964) Jacques Brel (w/m) |